As I have lost eyesight over the past thirty years, walking has been the simplest and most dependable solution to the functional limitations of my disability. When I stopped driving cars at age eighteen, walking was the mode of transportation most accessible to me. This sounds reasonable enough – a problem to be solved , a solution — but I will confess that my experience of walking also has its darker, less rational dimensions. This is not pretty.
Much of the time I walk in a world organized for the convenience and efficiency of drivers, not pedestrians. It feels like a world obsessed with wheels, noise, and speed. I admit it, I don’t see people anymore, only their machines. Sometimes when I listen and wait to cross the street in front of my house, I imagine ridiculous hierarchies that could rule such a world: the bigger the wheels, the louder the engine, the faster you go to get from here to there, the more power you have, the more social grace and status, the more rights of way. SUV’s have more right to the road than compact cars. Compact cars outrank riding lawn mowers, which are louder if not faster than bicycles. But even bicycles lord it over a guy standing on his own two feet, not to mention a poor guy waiting with a white cane.
I know these are not rational sentiments. I sound like Dostoevsky’s Underground Man. “I am a sick man,” he said. “I am a spiteful man.” I can feel just as confused and alienated, standing on the curb. I listen and judge the speed of oncoming cars by the noise of engines and wheels. I get angry when they speed. I get angrier when they dawdle along. The noisiest of them, motorcycles and diesel dump trucks, send me into a rage. But I suspect the one that will someday turn me into road kill will be silent, a new-fangled hybrid.
There must be a name for this kind of sickness. I call it foot rage. I began to get a grip on it when I realized one day that the drivers of those SUV’s and riding lawn mowers entertained the same sick thoughts. They call it road rage. The symptoms are much the same – the anger, the impatience, the grandiosity, the finger flipping, the foul swearing. Some of them even keep guns in their cars to anticipate the road rage of others. A white cane feels like a pretty slim stick by comparison.
Before you put me in a straightjacket, though, let me say that there is another side to the story. If foot rage were more than a fleeting, irrational distraction, I would never get across the street. Mundane it may be, but crossing the street has become my moment of agency, the existential moment when I feel most alive, when I mine every available scrap of sensation and experience to make a decision. Do I cross? Do I wait? Walking is the sum of such moments. It is how I know and map my place in the world.
The word pedestrian, with its connotations of banality and routine, does not begin to express the satisfactions I experience in this kind of walking. The French have better words for it. The verb is flanare, which loosely means to stroll or to wander aimlessly. One who walks this way is a flaneur. In Paris, such walking evolved into an art form. Charles Baudelaire and Walter Benjamin were two of its great practitioners. In their imaginations, an aimless stroll through the streets of Paris became social transformation, the construction of new and subjective realities out of the pedestrian debris of cultural excess and alienation. Whew! Fortunately, you do not have to be a postmodern theorist to follow the flaneur’s art. It can be as simple as strolling down Rue Mouffetard with a baguette under your arm.
[This was the prelude to a talk I gave in 2006 at the Multiple Perspectives on Access, Inclusion, and Disability Conference at The Ohio State University. The talk became the genesis of this blog.]
![gustave_caillebotte_paris_street_rainy_day Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons]](http://blindflaneur.com/wp-content/uploads/2009/02/gustave_caillebotte_paris_street_rainy_day_1877_wiki.jpg)
"Brendan, this is what the world looks like all the time to me. Just a little fog. It’s a fine day for boating on the Great Lakes.” Without missing a stroke he turned to dart a skeptical glance at me. Brendan the Navigator. When we named him I didn’t tell his mother everything the legendary Irish name implied. But I imagined him taking on the role of navigator for me. Growing up with Coastal Survey charts and tales of Great Lakes shipwrecks, he came to know Superior as another home. He never doubted the wisdom of canoeing there with a father who was half blind. ![ada_signing_072690_ucp_2 President George H.W. Bush signs into law the Americans with Disabilities Act (ADA) on July 26, 1990 as Justin Dart looks on. [Source: ucp.org]](http://fairuselab.net/wp-content/uploads/2010/07/ada_signing_072690_ucp_2.jpg)
![shepard_fairey_hope_2008 Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg)

If there is an emerging genetic underclass, I could run for class president or class clown. Read more in
The legendary Kiki of Montparnasse posed for Man Ray’s 
2 Comments
#1. a blind flaneur 12.21.2007
[...] Foot Rage and the Blind Flaneur [...]
#2. Getting Quiet Cars To Make Some Noise – Fair Use Lab 01.23.2009
[...] a good discussion of possible solutions to the problem. It’s definitely on my radar screen (see Foot rage and the Blind Flaneur), and it’s becoming more than a blip for auto [...]
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