![Goya_Third_of_May_1808 Francisco Goya. The Third of May 1808. Oil on canvas, 1814. Museo del Prado, Madrid. [Source: Wikimedia Commons]](http://blindflaneur.com/wp-content/uploads/2009/09/Goya_Third_of_May_1808.jpg)
Francisco Goya. The Third of May 1808. Oil on canvas, 1814. Museo del Prado, Madrid. [Source: Wikimedia Commons]
Babu Kuriakose left a comment recently noting congruencies in Goya’s famous painting and Spartan Girls Provoking Boys by Edgar Degas. Babu has a discerning eye, and his website documents many resonances in contemporary visual rhetoric. His comment led me to muse about Aby Warburg’s work on iconology. Is there more going on in these paintings than simple replication of visual motifs?
Edgar Degas. Spartan Girls Provoking Boys. c.1860-62. National Gallery, London.
![gustave_caillebotte_paris_street_rainy_day Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons]](http://blindflaneur.com/wp-content/uploads/2009/02/gustave_caillebotte_paris_street_rainy_day_1877_wiki.jpg)
"Brendan, this is what the world looks like all the time to me. Just a little fog. It’s a fine day for boating on the Great Lakes.” Without missing a stroke he turned to dart a skeptical glance at me. Brendan the Navigator. When we named him I didn’t tell his mother everything the legendary Irish name implied. But I imagined him taking on the role of navigator for me. Growing up with Coastal Survey charts and tales of Great Lakes shipwrecks, he came to know Superior as another home. He never doubted the wisdom of canoeing there with a father who was half blind. ![ada_signing_072690_ucp_2 President George H.W. Bush signs into law the Americans with Disabilities Act (ADA) on July 26, 1990 as Justin Dart looks on. [Source: ucp.org]](http://fairuselab.net/wp-content/uploads/2010/07/ada_signing_072690_ucp_2.jpg)
![shepard_fairey_hope_2008 Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg)

If there is an emerging genetic underclass, I could run for class president or class clown. Read more in
The legendary Kiki of Montparnasse posed for Man Ray’s 
2 Comments
#1. Babu Kuriakose 10.05.2009
Many thanks for your appreciation & the link.
Regards,
Babu
#2. Movie Posters – End-of-Season Post « Babu Kuriakose 05.18.2010
[...] Goya. I left a comment about the apparent similarities in composition, and the flaneur (love him) wrote on his site – “Babu has a discerning eye, and his website documents many resonances in [...]
Leave a Comment