Translate The Page
About the Flaneur
I walk through my blindness the way I wander down streets in Paris: unfettered and alive, alert to the raw material of the senses. I am a flaneur. Come along with me. Just don’t try to take my arm, unless I ask. What’s a flaneur? Read the first post, Return of the Flaneur to Galerie Vivienne. After that, try Foot Rage and the Blind Flaneur. Then stay tuned.Letting Go of Sight
I’ve canoed on Lake Superior for almost as many years as I’ve been losing eyesight. I return year after year like a migrating loon to learn the other side of a slow, uncertain process that we could call “going blind.” After 35 years with the lake as my teacher, I know what lies on the other side. I call it letting go of sight. Read Big Water. See more about the Great Lakes.Not This Pig
If there is an emerging genetic underclass, I could run for class president or class clown. Read more in Not This Pig (2003).Media in Transition @ MiT
Disabled Americans today have to negotiate for the kinds of accommodations made for FDR, and the caveat “reasonable accommodation” is built into the law. President Franklin Roosevelt did not have to negotiate. He could summon vast resources of the federal government – money as well as brains – to accomplish the work of disability. And it was accomplished with such thoroughness and efficiency that its scale could be called the Accessibility-Industrial Complex had it been directed toward public accommodations and not solely the needs of a single man. Read FDR and the Hidden Work of Disability [MiT8 2013]
Shepard Fairey claimed that his posterization of a copyrighted AP news photo of Barack Obama was a transformative work protected by the fair use doctrine. In other words, it was a shape-shifter. I claim fair use, too, when I reproduce and transform copyrighted works into media formats that are accessible to me as a blind reader. Read Shape-Shifters in the Fair Use Lab [MiT6 2009]
The social engineers who created a system for licensing beggars in New York never imagined that a blind woman had culture or could make culture. She herself may not have imagined it, either. In the moment when Paul Strand photographed her surreptitiously on the street in 1916, he could not have expected that one day blind photographers would reverse the camera’s gaze. Read Curiosity & The Blind Photographer. [MiT5 2007]
Tag Archives: Bill Cunningham
Fashionista Street: So What’s the New Gray?
Bill Cunningham saw shades of gray everywhere On the Street at New York Fashion Week, and it didn’t bum him out. Even Paris Vogue editor Carine Roitfeld (below right) skipped regulation black. When gray is matched with nuanced accents such … Continue reading
Fashionista Street: Taking the Plunge
Bill Cunningham laughs with the puddle-jumpers on Fifth Avenue in this week’s On the Street photo essay. He muses that this form of water ballet isn’t appreciated in snow-sensible places like Wisconsin and Colorado where people plod in heavy boots, … Continue reading
Bill Cunningham Documents A ‘Gospel Miracle’
He didn’t have a ticket to the Inauguration. He didn’t have an official assignment from the Times. Bill Cunningham just got on a train and went to Washington. He stayed on the street, where he had freedom to move and … Continue reading
Window-Shopping on Fifth Avenue
Bill Cunningham’s On the Street photo essay surveys holiday window displays on Fifth Avenue. He says he’s never seen the likes of these opulent scenes in his 80 years, and worries that with the financial downturn, their likes may never … Continue reading
Fashionista Street: Silhouette Black
Manhattan, Fifth Ave., 9 a.m.: the place to take the temperature of Modern Woman, according to Bill Cunningham’s On the Street photo essay. Basic black isn’t basic, Bill says, and it isn’t a leading economic indicator of gloom and doom. … Continue reading