About the Flaneur
![Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons]](../../wp-content/uploads/2009/02/gustave_caillebotte_paris_street_rainy_day_1877_wiki.jpg "gustave_caillebotte_paris_street_rainy_day")
I walk through my blindness the way I wander down streets in Paris: unfettered and alive, alert to the raw material of the senses. I am a flaneur. Come along with me. Just don’t try to take my arm, unless I ask. What’s a flaneur? Read the first post, Return of the Flaneur to Galerie Vivienne. After that, try Foot Rage and the Blind Flaneur. Then stay tuned.Letting Go of Sight
![Fog at Isle Royale [Source: wildmengoneborneo.com]](../../wp-content/uploads/2008/04/isle_royale_fog.jpg "Fog at Isle Royale [Source: wildmengoneborneo.com]")
I’ve canoed on Lake Superior for almost as many years as I’ve been losing eyesight. I return year after year like a migrating loon to learn the other side of a slow, uncertain process that we could call “going blind.” After 35 years with the lake as my teacher, I know what lies on the other side. I call it letting go of sight. Read Big Water. See more about the Great Lakes.Not This Pig
If there is an emerging genetic underclass, I could run for class president or class clown. Read more in Not This Pig (2003).Media in Transition @ MiT
Disabled Americans today have to negotiate for the kinds of accommodations made for FDR, and the caveat “reasonable accommodation” is built into the law. President Franklin Roosevelt did not have to negotiate. He could summon vast resources of the federal government – money as well as brains – to accomplish the work of disability. And it was accomplished with such thoroughness and efficiency that its scale could be called the Accessibility-Industrial Complex had it been directed toward public accommodations and not solely the needs of a single man. Read FDR and the Hidden Work of Disability [MiT8 2013]
Shepard Fairey claimed that his posterization of a copyrighted AP news photo of Barack Obama was a transformative work protected by the fair use doctrine. In other words, it was a shape-shifter. I claim fair use, too, when I reproduce and transform copyrighted works into media formats that are accessible to me as a blind reader. Read Shape-Shifters in the Fair Use Lab [MiT6 2009]
The social engineers who created a system for licensing beggars in New York never imagined that a blind woman had culture or could make culture. She herself may not have imagined it, either. In the moment when Paul Strand photographed her surreptitiously on the street in 1916, he could not have expected that one day blind photographers would reverse the camera’s gaze. Read Curiosity & The Blind Photographer. [MiT5 2007]
Tag Archives: fashionista
Anna Akhmatova in the Modernist Moment
Nathan Altman. Portrait of Anna Akhmatova. 1914. The Russian Museum, St. Petersburg, Russia. [Source: Anna Akhmatova Foundation] Anna Akhmatova had become a cultural icon by the time Nathan Altman painted her in 1914. Her bangs and shawl, her regal bearing … Continue reading
Who Spied On Lee Miller?
Lots of people lined up to peek through the keyhole for a glimpse of Lee Miller, whose meteoric career arced from Vogue fashion model to Surrealist muse to intrepid war photographer. The voyeurs included Condé Nast, Man Ray, Jean Cocteau, … Continue reading
Fauvists on Fashionista Street
Bill Cunningham imagines the Fauves and German Expressionists as he looks for audacious colors in this weeks On the Street photo essay. His advice for a gloomy economy? “Be daring. Just put on some outrageous shoes, or two different color … Continue reading
Joie de Vivre in the Luxembourg Gardens
Another October, and again I missed Nuit Blanche in Paris. Bill Cunningham was there, and his latest On the Street photo essay finds joie de vivre and vivid colors everywhere in the City of Light. Look for sapphire blue in … Continue reading
Lee Miller: Picasso’s Liberation
War correspondent Lee Miller visited Pablo Picasso’s studio on the day Allied troops liberated Paris in August 1944. [Source: Guardian/Lee Miller Archives] See Lee Miller: Flapper Fashionista, Lee Miller: Surrealist Muse and Lee Miller: War Photographer.
