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About the Flaneur
![gustave_caillebotte_paris_street_rainy_day Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons]](http://blindflaneur.com/wp-content/uploads/2009/02/gustave_caillebotte_paris_street_rainy_day_1877_wiki.jpg)
I walk through my blindness the way I wander down streets in Paris: unfettered and alive, alert to the raw material of the senses. I am a flaneur. Come along with me. Just don’t try to take my arm, unless I ask. What’s a flaneur? Read the first post, Return of the Flaneur to Galerie Vivienne. After that, try Foot Rage and the Blind Flaneur. Then stay tuned.Kiki: Man Ray’s Dada Muse
The legendary Kiki of Montparnasse posed for Man Ray’s Le violin de Ingres (1924). See more from Imaging Paris.Lee Miller: Surrealist Muse

Lee Miller traced a meteoric trajectory from flapper fashionista to surrealist muse. She played the Statue in Jean Cocteau's first movie. Picasso painted her portrait. She apprenticed with Man Ray and later became a noted war photographer for British Vogue. Read more.Miss Tic: Paris Street Art

Poet and street artist Miss Tic isn't exactly a kid in a hoodie with a can of spray paint. Maybe she can still run like hell when the police show up, but can she sprint in high heels? Well-known in international avant-garde circles, her work is exhibited now at the Venice Biennale as well as the alleys of Paris. Read more. See Ethics of Love for a video montage of Miss Tic's provacative poetry. More Paris Street Art.
The Lake and the River
![Fog at Isle Royale [Source: wildmengoneborneo.com] Fog at Isle Royale [Source: wildmengoneborneo.com]](http://blindflaneur.com/wp-content/uploads/2008/04/isle_royale_fog.jpg)
I’ve canoed on Lake Superior for almost as many years as I’ve been losing eyesight. I return year after year like a migrating loon to learn the other side of a slow, uncertain process that we could call “going blind.” After 35 years with the lake as my teacher, I know what lies on the other side. I call it letting go of sight. Read Big Water. See more about the Great Lakes.What is a village? A small place, yes, as wide as the world, layered with histories and stories, where you can walk wherever you want to go. My vision of that place is Yellow Springs 2.0.
Not This Pig
If there is an emerging genetic underclass, I could run for class president or class clown. Read more in Not This Pig (2003).Re-Imagining Accessibility
![shepard_fairey_hope_2008 Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg)
Re-imagining accessibility through the transformations of culture -- particularly the transformative promise of accessible technology for people with disabilities -- is the work of the Fair Use Lab. What does Shepard Fairey’s Hope poster have to do with accessibility? Read more: Shape-Shifters in the Fair Use Lab [MiT6 2009]Blind Photographers

In the moment when Paul Strand photographed her surreptitiously on the street in New York, the social engineers who created a system for licensing beggars never imagined that a blind woman had culture or could make culture. She herself may not have imagined it. Paul Strand probably didn’t give her much credit for making culture, either. Read more: Curiosity & The Blind Photographer [MiT5 2007] See more on blind photographers.BottomFeeder U.S.A.
BottomFeeder U.S.A.Linking Out
- AFB Blog
- Amy’s Anomalies
- Ânkoras & Asas
- augmented illusions
- Buzz Machine
- Cold Holler
- David Morley
- Gabriela Anaya Valdepeña
- Henry Jenkins
- Jafabrit's Art
- Kaitlin Foley
- l’azile
- Planet of the Blind
- Reading in the Dark
- Rebekka Guðleifsdóttir
- Richard Florida
- Spoken Word in Paris
- Tim O'Brien
- Visual Culture Blog
- Yellow Springs Arts
Tag Archives: Flaneur
A Call to Judge from Spoken Word in Paris: “Writers Get Violent – Le Match de Boxe”
A blind flaneur wanders into some preposterous situations from time to time. With a website like this one, preposterous situations also find him. This morning I was thrilled by an invitation to be a judge at the Writers Get Violent boxing match on Thursday night in Paris. Alas, I am in the States today, and I don’t know how I could get it together to cross the pond just now. Break my heart! Continue reading
Laredo Loses Its Last Bookstore
When I heard an NPR story this morning about the closing of the one and only bookstore in Laredo, Texas, a city with a quarter million inhabitants, I was heartened anew by the fact that my humble village of 4,000 has three bookstores. And I can walk to any of them in less than five minutes. That’s the flaneur’s definition of a walkable, readable neighborhood. Continue reading
London Street Art Prepares for “The Thousands”
The blind flaneur needs to figure out how to get to London for this. via RJ Rushmore at Vandalog: The street art exhibition I announced last week finally has a name: The Thousands. It also has a special blog where … Continue reading
The World Needs A Naked Flaneur’s Stroll
Naked cyclists make their way past Toronto’s Eaton Centre, June 13, 2009, for the World Naked Bike Ride. Participants in Toronto, Vancouver, Victoria, Ottawa, Montreal and Halifax rode naked to celebrate cycling and the human body and to demonstrate the … Continue reading
Black Irises: Flânerie in the Garden
Flânerie reaches beyond the street, as Bill Cunningham reveals when he travels to Old Westbury, Long Island for a garden party celebrating the 50th anniversary of the public gardens there. The rhododendrons were in full bloom, and so were the … Continue reading
A Flaneur’s Nemesis: Suburban Patio Man
Two details from the morning news stream disconcerted me gloomily as I rode to work with my car pool. David Brooks’ latest reification of the U.S. Everyman brand reduced it to one nervous, order-seeking archetype: Patio Man. “He’s happy with … Continue reading

![grant_wood_parson_weems_fable_200px Grant Wood. Parson Weem’s’ Fable. 1939. Amon Carter Museum, Forth Worth.. Steven Biel describes the painting: “Parson Weems, imitating Charles Willson Peale’s pose in The Artist in His Museum (1822), opens a red velvet curtain on the legendary scene: Augustine Washington, elegant in crimson coat, white ruffle, tan breeches, silver-buckled pumps, and green tricornered hat, grasps in his right hand the slim trunk of the bent cherry tree. A row of cherries dangles from the perfectly rounded treetop, mirroring the very cherry-like fringe of the Parson’s curtain. Augustine’s outstretched left palm and furrowed brow signal a serious inquiry. His son George, boyish in stature and dress—coatless, with sky-blue breeches and petite buckled pumps—is manly in his expression. In fact, his white-wigged head is that of Gilbert Stuart’s portrait and the dollar bill. He points with his right hand to the hatchet in his left. Wood chips lie in the circle of soil at the base of the tree, its lower trunk smoothly incised and poised to split off. In the background, a well-dressed slave couple harvests the fruit of a second tree.” [Alt Text Source: Common-Place/ http://www.common-place.org/vol-06/no-04/biel/ ]](http://www.bottomfeederusa.com/wp-content/uploads/2011/08/grant_wood_parson_weems_fable_200px.jpg)

