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About the Flaneur
![gustave_caillebotte_paris_street_rainy_day Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons]](http://blindflaneur.com/wp-content/uploads/2009/02/gustave_caillebotte_paris_street_rainy_day_1877_wiki.jpg)
I walk through my blindness the way I wander down streets in Paris: unfettered and alive, alert to the raw material of the senses. I am a flaneur. Come along with me. Just don’t try to take my arm, unless I ask. What’s a flaneur? Read the first post, Return of the Flaneur to Galerie Vivienne. After that, try Foot Rage and the Blind Flaneur. Then stay tuned.Kiki: Man Ray’s Dada Muse
The legendary Kiki of Montparnasse posed for Man Ray’s Le violin de Ingres (1924). See more from Imaging Paris.Lee Miller: Surrealist Muse

Lee Miller traced a meteoric trajectory from flapper fashionista to surrealist muse. She played the Statue in Jean Cocteau's first movie. Picasso painted her portrait. She apprenticed with Man Ray and later became a noted war photographer for British Vogue. Read more.Miss Tic: Paris Street Art

Poet and street artist Miss Tic isn't exactly a kid in a hoodie with a can of spray paint. Maybe she can still run like hell when the police show up, but can she sprint in high heels? Well-known in international avant-garde circles, her work is exhibited now at the Venice Biennale as well as the alleys of Paris. Read more. See Ethics of Love for a video montage of Miss Tic's provacative poetry. More Paris Street Art.
The Lake and the River
![Fog at Isle Royale [Source: wildmengoneborneo.com] Fog at Isle Royale [Source: wildmengoneborneo.com]](http://blindflaneur.com/wp-content/uploads/2008/04/isle_royale_fog.jpg)
I’ve canoed on Lake Superior for almost as many years as I’ve been losing eyesight. I return year after year like a migrating loon to learn the other side of a slow, uncertain process that we could call “going blind.” After 35 years with the lake as my teacher, I know what lies on the other side. I call it letting go of sight. Read Big Water. See more about the Great Lakes.What is a village? A small place, yes, as wide as the world, layered with histories and stories, where you can walk wherever you want to go. My vision of that place is Yellow Springs 2.0.
Not This Pig
If there is an emerging genetic underclass, I could run for class president or class clown. Read more in Not This Pig (2003).Re-Imagining Accessibility
![shepard_fairey_hope_2008 Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg)
Re-imagining accessibility through the transformations of culture -- particularly the transformative promise of accessible technology for people with disabilities -- is the work of the Fair Use Lab. What does Shepard Fairey’s Hope poster have to do with accessibility? Read more: Shape-Shifters in the Fair Use Lab [MiT6 2009]Blind Photographers

In the moment when Paul Strand photographed her surreptitiously on the street in New York, the social engineers who created a system for licensing beggars never imagined that a blind woman had culture or could make culture. She herself may not have imagined it. Paul Strand probably didn’t give her much credit for making culture, either. Read more: Curiosity & The Blind Photographer [MiT5 2007] See more on blind photographers.BottomFeeder U.S.A.
BottomFeeder U.S.A.Linking Out
- AFB Blog
- Amy’s Anomalies
- Ânkoras & Asas
- augmented illusions
- Buzz Machine
- Cold Holler
- David Morley
- Gabriela Anaya Valdepeña
- Henry Jenkins
- Jafabrit's Art
- Kaitlin Foley
- l’azile
- Planet of the Blind
- Reading in the Dark
- Rebekka Guðleifsdóttir
- Richard Florida
- Spoken Word in Paris
- Tim O'Brien
- Visual Culture Blog
- Yellow Springs Arts
Tag Archives: curation
Attention Economy – February 3, 2012
Renegade — Henry Miller and the Making of ‘Tropic of Cancer.’ — By Frederick Turner — Book Review – NYTimes.com 012912 Jeanette Winterson: “It is some 50 years since “Tropic of Cancer” was published in the United States by Grove … Continue reading
Attention Economy – January 27, 2012
Approaching Isle Royale in winter snow and fog. [Photo by John Vucetich/via NYT] In Winter Weather, Flying to Find Wolves – NYTimes.com 012012 John Vucetich, a wildlife ecologist from Michigan Technological University, leads the wolf-moose Winter Study at Isle Royale … Continue reading
Attention Economy – January 6, 2012
An Amazing Trickeration?: Banished Words For 2012 : NPR 010112 During the 2011 MTV Video Music Awards in Los Angeles on Aug. 28, 2011, singer Beyonce Knowles rubbed her stomach in the middle of the performance to reveal her baby … Continue reading
Attention Economy – November 4, 2011
Edgar Degas. Ballet Rehearsal. Oil on canvas. 1885-1891. Yale University Art Gallery. [Source: NPR]] Degas’ Dancers: Behind The Scenes, At The Barre : NPR 110311 It’s not often that an art show makes visitors stand up straighter. But Degas’s Dancers … Continue reading
Attention Economy – October 31, 2011
Marc Chagall. The Couple (A Holy Family). Oil on canvas. 1909. Musée National d’Art Moderne, Centre Pompidou, Paris. [Source: Wikipaintings] Marc Chagall – WikiPaintings.org The Couple (A Holy Family) – Marc Chagall – WikiPaintings.org Gallery: Musée National d’Art Moderne, Centre … Continue reading
Attention Economy – October 14, 2011
Pacific Standard Time – Home Pacific Standard Time is an unprecedented collaboration of cultural institutions across Southern California coming together to celebrate the birth of the L.A. art scene. Beginning October 2011, over 60 cultural institutions will make their contributions … Continue reading
Attention Economy – September 30, 2011
VIDEO: Wanna Live Forever? Become A Noun : Krulwich Wonders… : NPR 092811 STEVE INSKEEP, host: Now, the average American male lives for 76 years; the average female, around 80, and then slowly we tiptoe out of life and memory … Continue reading
Attention Economy – September 26, 2011
The Hacker Toolkit: Social Engineering – On The Media 092311 Alex Goldman: “There’s an air of alchemy and mystery that surrounds the world of hacking, because it’s perceived as being so technical. That’s part of what makes hacking seem so … Continue reading
Attention Economy – September 23, 2011
Frank Shay closed his Greenwich Village bookshop during the slow summer months so he could peddle books on Cape Cod using a Ford truck outfitted as a mobile “bookwagon.” [Source: Harry Ransom Center/ University of Texas] The Greenwich Village Bookshop … Continue reading
Attention Economy – September 16, 2011
Salman Khan talk at TED 2011 Khan Academy | Learn almost anything for free With a library of over 2,400 videos covering everything from arithmetic to physics, finance, and history and 150 practice exercises, we’re on a mission to help … Continue reading

![grant_wood_parson_weems_fable_200px Grant Wood. Parson Weem’s’ Fable. 1939. Amon Carter Museum, Forth Worth.. Steven Biel describes the painting: “Parson Weems, imitating Charles Willson Peale’s pose in The Artist in His Museum (1822), opens a red velvet curtain on the legendary scene: Augustine Washington, elegant in crimson coat, white ruffle, tan breeches, silver-buckled pumps, and green tricornered hat, grasps in his right hand the slim trunk of the bent cherry tree. A row of cherries dangles from the perfectly rounded treetop, mirroring the very cherry-like fringe of the Parson’s curtain. Augustine’s outstretched left palm and furrowed brow signal a serious inquiry. His son George, boyish in stature and dress—coatless, with sky-blue breeches and petite buckled pumps—is manly in his expression. In fact, his white-wigged head is that of Gilbert Stuart’s portrait and the dollar bill. He points with his right hand to the hatchet in his left. Wood chips lie in the circle of soil at the base of the tree, its lower trunk smoothly incised and poised to split off. In the background, a well-dressed slave couple harvests the fruit of a second tree.” [Alt Text Source: Common-Place/ http://www.common-place.org/vol-06/no-04/biel/ ]](http://www.bottomfeederusa.com/wp-content/uploads/2011/08/grant_wood_parson_weems_fable_200px.jpg)

