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About the Flaneur
![gustave_caillebotte_paris_street_rainy_day Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons]](http://blindflaneur.com/wp-content/uploads/2009/02/gustave_caillebotte_paris_street_rainy_day_1877_wiki.jpg)
I walk through my blindness the way I wander down streets in Paris: unfettered and alive, alert to the raw material of the senses. I am a flaneur. Come along with me. Just don’t try to take my arm, unless I ask. What’s a flaneur? Read the first post, Return of the Flaneur to Galerie Vivienne. After that, try Foot Rage and the Blind Flaneur. Then stay tuned.Kiki: Man Ray’s Dada Muse
The legendary Kiki of Montparnasse posed for Man Ray’s Le violin de Ingres (1924). See more from Imaging Paris.Lee Miller: Surrealist Muse

Lee Miller traced a meteoric trajectory from flapper fashionista to surrealist muse. She played the Statue in Jean Cocteau's first movie. Picasso painted her portrait. She apprenticed with Man Ray and later became a noted war photographer for British Vogue. Read more.Miss Tic: Paris Street Art

Poet and street artist Miss Tic isn't exactly a kid in a hoodie with a can of spray paint. Maybe she can still run like hell when the police show up, but can she sprint in high heels? Well-known in international avant-garde circles, her work is exhibited now at the Venice Biennale as well as the alleys of Paris. Read more. See Ethics of Love for a video montage of Miss Tic's provacative poetry. More Paris Street Art.
The Lake and the River
![Fog at Isle Royale [Source: wildmengoneborneo.com] Fog at Isle Royale [Source: wildmengoneborneo.com]](http://blindflaneur.com/wp-content/uploads/2008/04/isle_royale_fog.jpg)
I’ve canoed on Lake Superior for almost as many years as I’ve been losing eyesight. I return year after year like a migrating loon to learn the other side of a slow, uncertain process that we could call “going blind.” After 35 years with the lake as my teacher, I know what lies on the other side. I call it letting go of sight. Read Big Water. See more about the Great Lakes.What is a village? A small place, yes, as wide as the world, layered with histories and stories, where you can walk wherever you want to go. My vision of that place is Yellow Springs 2.0.
Not This Pig
If there is an emerging genetic underclass, I could run for class president or class clown. Read more in Not This Pig (2003).Re-Imagining Accessibility
![shepard_fairey_hope_2008 Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg)
Re-imagining accessibility through the transformations of culture -- particularly the transformative promise of accessible technology for people with disabilities -- is the work of the Fair Use Lab. What does Shepard Fairey’s Hope poster have to do with accessibility? Read more: Shape-Shifters in the Fair Use Lab [MiT6 2009]Blind Photographers

In the moment when Paul Strand photographed her surreptitiously on the street in New York, the social engineers who created a system for licensing beggars never imagined that a blind woman had culture or could make culture. She herself may not have imagined it. Paul Strand probably didn’t give her much credit for making culture, either. Read more: Curiosity & The Blind Photographer [MiT5 2007] See more on blind photographers.BottomFeeder U.S.A.
BottomFeeder U.S.A.Linking Out
- AFB Blog
- Amy’s Anomalies
- Ânkoras & Asas
- augmented illusions
- Buzz Machine
- Cold Holler
- David Morley
- Gabriela Anaya Valdepeña
- Henry Jenkins
- Jafabrit's Art
- Kaitlin Foley
- l’azile
- Planet of the Blind
- Reading in the Dark
- Rebekka Guðleifsdóttir
- Richard Florida
- Spoken Word in Paris
- Tim O'Brien
- Visual Culture Blog
- Yellow Springs Arts
Tag Archives: political theater
O.K., Founding Fathers: Prepare To Eat Historical Reenactments!
When I was a little kid, I learned everything I Know about rugged individualism astride the mechanical horse outside the supermarket. I demanded, righteously, I begged, pitifully,, I wheedled and cajoled my parents to get a quarter to ride the beast. How did Stephen Colbert know that in my heart I was a Defender of Liberty reenacting the patriotic ritual of Paul Revere’s ride? Those redcoats weren’t going to get my guns, not even the plastic ones. Continue reading
Was Pablo Neruda Poisoned After the Coup?
I remember walking into a coffee shop on Cape Cod in September 1973 when I learned about the right-wing coup in Chile. There was no doubt in my mind, no doubt in the minds of any of the morning habitués there, that Richard Nixon and the CIA were involved in some way. When I heard later that Pablo Neruda had died not long after his friend, President Salvador Allende, I knew the poet had to have died of a broken heart. I was 18, and though I would have denied it then, I was an incurable romantic about Neruda and Chile’s fragile, Communist-led democracy. Continue reading
No Rest for the Righteous: Even Osama Had Porn
I used to joke that the way to defeat the Mullahs was subverting them with American trash culture. Give them a taste of Brittany Spears, MTV, and spandex and you know who would win the Clash of Civilizations! The revelation last week that a secret stash of pornography was found in Osama bin Laden’s compound seems to substantiate the joke, although its spot-on irony makes you wonder if the CIA has hired some hip new script writers. Continue reading
Zenga Zenga: Remixing the Dictator’s Speech
via noyalooshemusic: “Libyan(Ex?) leader Muammar Kadafi with his Auto Tuned version to “Hey Baby” by Pitbull & T pain. Remix by Noy Alooshe.” Continue reading
Ronald Reagan at 100: Is He The “Rubber Bustier” of the Republican Party? His Son Thinks So!
Today is the 100th anniversary of Ronald Reagan’s birth, an august occasion to be sure. So leave it to Beaver to upset the apple cart. Ron Reagan, irreverent son of the 40th President, says Republicans venerate his old man like a fetish. Ron still thinks of him fondly as “Dad” – the sunny 50s-60s type who could groan like Ward Cleaver when he caught the Beav smoking dope in the bedroom. Now Ron’s making the grand book tour to promote his piece of the legend, My Father at 100. Continue reading
LBJ Needed A Little More Stride in the Crotch
What did we do for yucks before Jon Stewart and Steven Colbert? U.S. Presidents said the darnedest things and preserved it for posterity with secret tape recorders in the Oval Office. So now we can listen to Lyndon Johnson belch and kvetch about his crotch, from nuts to bung hole, thanks to Put This On. And the true beauty of it is this: it’s all in the public domain, available for Rabelaisian mashups, because we the people paid for the office and the tape recorders. Continue reading
Gabrielle Giffords reads First Amendment
On the second day of the 112th Congress (January 6, 2011), Congresswoman Giffords read aloud on the House floor the First Amendment of the U.S. Constitution. Continue reading
OK, Kooks Who Are Mad As Hell — Chill out!
A video flashback of U.S. Rep. Gabrielle Giffords discussing political violence following her vote on the health care bill and Sarah Palin’s target ad, via TPM. Below is the ad from Sarah Palin’s website, reposted today on Huffington Post. Continue reading
John Trumbull: The Declaration of Independence
John Trumbull’s Declaration of Independence is a 12-by-18-foot oil-on-canvas painting in the United States Capitol Rotunda that depicts the presentation of the draft of the Declaration of Independence to Congress. It was based on a much smaller version of the same scene, presently held by the Yale University Art Gallery.[1] Trumbull painted many of the figures in the picture from life and visited Independence Hall as well to depict the chamber where the Second Continental Congress met. The oil-on-canvas work was commissioned in 1817, purchased in 1819, and placed in the rotunda in 1826. Continue reading

![grant_wood_parson_weems_fable_200px Grant Wood. Parson Weem’s’ Fable. 1939. Amon Carter Museum, Forth Worth.. Steven Biel describes the painting: “Parson Weems, imitating Charles Willson Peale’s pose in The Artist in His Museum (1822), opens a red velvet curtain on the legendary scene: Augustine Washington, elegant in crimson coat, white ruffle, tan breeches, silver-buckled pumps, and green tricornered hat, grasps in his right hand the slim trunk of the bent cherry tree. A row of cherries dangles from the perfectly rounded treetop, mirroring the very cherry-like fringe of the Parson’s curtain. Augustine’s outstretched left palm and furrowed brow signal a serious inquiry. His son George, boyish in stature and dress—coatless, with sky-blue breeches and petite buckled pumps—is manly in his expression. In fact, his white-wigged head is that of Gilbert Stuart’s portrait and the dollar bill. He points with his right hand to the hatchet in his left. Wood chips lie in the circle of soil at the base of the tree, its lower trunk smoothly incised and poised to split off. In the background, a well-dressed slave couple harvests the fruit of a second tree.” [Alt Text Source: Common-Place/ http://www.common-place.org/vol-06/no-04/biel/ ]](http://www.bottomfeederusa.com/wp-content/uploads/2011/08/grant_wood_parson_weems_fable_200px.jpg)

