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About the Flaneur
![gustave_caillebotte_paris_street_rainy_day Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons]](http://blindflaneur.com/wp-content/uploads/2009/02/gustave_caillebotte_paris_street_rainy_day_1877_wiki.jpg)
I walk through my blindness the way I wander down streets in Paris: unfettered and alive, alert to the raw material of the senses. I am a flaneur. Come along with me. Just don’t try to take my arm, unless I ask. What’s a flaneur? Read the first post, Return of the Flaneur to Galerie Vivienne. After that, try Foot Rage and the Blind Flaneur. Then stay tuned.Kiki: Man Ray’s Dada Muse
The legendary Kiki of Montparnasse posed for Man Ray’s Le violin de Ingres (1924). See more from Imaging Paris.Lee Miller: Surrealist Muse

Lee Miller traced a meteoric trajectory from flapper fashionista to surrealist muse. She played the Statue in Jean Cocteau's first movie. Picasso painted her portrait. She apprenticed with Man Ray and later became a noted war photographer for British Vogue. Read more.Miss Tic: Paris Street Art

Poet and street artist Miss Tic isn't exactly a kid in a hoodie with a can of spray paint. Maybe she can still run like hell when the police show up, but can she sprint in high heels? Well-known in international avant-garde circles, her work is exhibited now at the Venice Biennale as well as the alleys of Paris. Read more. See Ethics of Love for a video montage of Miss Tic's provacative poetry. More Paris Street Art.
The Lake and the River
![Fog at Isle Royale [Source: wildmengoneborneo.com] Fog at Isle Royale [Source: wildmengoneborneo.com]](http://blindflaneur.com/wp-content/uploads/2008/04/isle_royale_fog.jpg)
I’ve canoed on Lake Superior for almost as many years as I’ve been losing eyesight. I return year after year like a migrating loon to learn the other side of a slow, uncertain process that we could call “going blind.” After 35 years with the lake as my teacher, I know what lies on the other side. I call it letting go of sight. Read Big Water. See more about the Great Lakes.What is a village? A small place, yes, as wide as the world, layered with histories and stories, where you can walk wherever you want to go. My vision of that place is Yellow Springs 2.0.
Not This Pig
If there is an emerging genetic underclass, I could run for class president or class clown. Read more in Not This Pig (2003).Re-Imagining Accessibility
![shepard_fairey_hope_2008 Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg)
Re-imagining accessibility through the transformations of culture -- particularly the transformative promise of accessible technology for people with disabilities -- is the work of the Fair Use Lab. What does Shepard Fairey’s Hope poster have to do with accessibility? Read more: Shape-Shifters in the Fair Use Lab [MiT6 2009]Blind Photographers

In the moment when Paul Strand photographed her surreptitiously on the street in New York, the social engineers who created a system for licensing beggars never imagined that a blind woman had culture or could make culture. She herself may not have imagined it. Paul Strand probably didn’t give her much credit for making culture, either. Read more: Curiosity & The Blind Photographer [MiT5 2007] See more on blind photographers.BottomFeeder U.S.A.
BottomFeeder U.S.A.Linking Out
- AFB Blog
- Amy’s Anomalies
- Ânkoras & Asas
- augmented illusions
- Buzz Machine
- Cold Holler
- David Morley
- Gabriela Anaya Valdepeña
- Henry Jenkins
- Jafabrit's Art
- Kaitlin Foley
- l’azile
- Planet of the Blind
- Reading in the Dark
- Rebekka Guðleifsdóttir
- Richard Florida
- Spoken Word in Paris
- Tim O'Brien
- Visual Culture Blog
- Yellow Springs Arts
Tag Archives: poetry
For Brendan: Moose Tracks in the Snow
When I first read The Practice of the Wild twenty years ago, I never imagined it would have its own film trailer with Facebook page. The book deserves new media, of course, although I still believe its assertion that writing is just moose tracks in the snow. Continue reading
Poet Suheir Hammad : “Fear the Unexploded”
via TED: “Poet Suheir Hammad performs two spine-tingling spoken-word pieces: “What I Will” and “break (clustered)” — meditations on war and peace, on women and power. Wait for the astonishing line: “Do not fear what has blown up. If you must, fear the unexploded.”"
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Iran Blocks Travel By Poet Simin Behbahani
The repressive regime in Tehran has seized the passport of poet Simin Behbahani, according to NPR, blocking her travel to Paris to give a poetry reading. Known as the “lioness of Iran,” Simin Behbahani has been writing fierce poetry for decades, during the reign of Iran’s Shah, during the Islamic Revolution, during the reign of the ayatollahs, and over the past year’s political turmoil. Continue reading
Anna Akhmatova in the Modernist Moment
Nathan Altman. Portrait of Anna Akhmatova. 1914. The Russian Museum, St. Petersburg, Russia. [Source: Anna Akhmatova Foundation] Anna Akhmatova had become a cultural icon by the time Nathan Altman painted her in 1914. Her bangs and shawl, her regal bearing … Continue reading
Café Mouffe: Paul Celan’s Todesfuge
After a week of searching for the renewal of thought in inner speech, let there be its full expression in external; speech, through poetry. Had Osip Mandelstam survived Stalin’s labor camps, I imagine him bearing witness with the fierce urgency of Paul Celan, who wrote Todesfuge in the aftermath of the Holocaust. This recitation was recorded sometime before his suicide in Paris in 1970. The performance by Diamanda Galas, which ends too abruptly in the clip, was given in Madrid in 2008. Continue reading
A Word is the Search for It, part 5: The Renewal of Motive
Early in my study of Lev Vygotsky’s work I asked an experimental psychologist, an eminent authority on the evolution of the mammalian brain, what he knew about Vygotsky. He was working on sabbatical in London at the time, so our … Continue reading
A Word is the Search for It, part 4: The Living Word
The abridged translation of Thought and Language also omitted passages which the translators considered obscure, overly philosophical, and extraneous to the book’s scientific arguments. In the unabridged translation Kozulin noted, without elaboration, that some of Vygotsky’s conclusions were influenced by … Continue reading
Cavafy: “Ithaca gave to you the beautiful journey”
Daniel Mendelsohn has published new translations of the C. P. Cavafy: Collected Poems. He tells a story on NPR about how he came to Cavafy as a classics student who was bored with touring Greek archaeological sites one summer. When … Continue reading
The Loon — A Poem by James Tate
/* Listen to Garrison Keillor read this on today’s The Writer’s Almanac. The Loon by James Tate A loon woke me this morning. It was like waking up in another world. I had no idea what was expected of me. … Continue reading

![grant_wood_parson_weems_fable_200px Grant Wood. Parson Weem’s’ Fable. 1939. Amon Carter Museum, Forth Worth.. Steven Biel describes the painting: “Parson Weems, imitating Charles Willson Peale’s pose in The Artist in His Museum (1822), opens a red velvet curtain on the legendary scene: Augustine Washington, elegant in crimson coat, white ruffle, tan breeches, silver-buckled pumps, and green tricornered hat, grasps in his right hand the slim trunk of the bent cherry tree. A row of cherries dangles from the perfectly rounded treetop, mirroring the very cherry-like fringe of the Parson’s curtain. Augustine’s outstretched left palm and furrowed brow signal a serious inquiry. His son George, boyish in stature and dress—coatless, with sky-blue breeches and petite buckled pumps—is manly in his expression. In fact, his white-wigged head is that of Gilbert Stuart’s portrait and the dollar bill. He points with his right hand to the hatchet in his left. Wood chips lie in the circle of soil at the base of the tree, its lower trunk smoothly incised and poised to split off. In the background, a well-dressed slave couple harvests the fruit of a second tree.” [Alt Text Source: Common-Place/ http://www.common-place.org/vol-06/no-04/biel/ ]](http://www.bottomfeederusa.com/wp-content/uploads/2011/08/grant_wood_parson_weems_fable_200px.jpg)

