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About the Flaneur
I walk through my blindness the way I wander down streets in Paris: unfettered and alive, alert to the raw material of the senses. I am a flaneur. Come along with me. Just don’t try to take my arm, unless I ask. What’s a flaneur? Read the first post, Return of the Flaneur to Galerie Vivienne. After that, try Foot Rage and the Blind Flaneur. Then stay tuned.
Letting Go of Sight
I’ve canoed on Lake Superior for almost as many years as I’ve been losing eyesight. I return year after year like a migrating loon to learn the other side of a slow, uncertain process that we could call “going blind.” After 35 years with the lake as my teacher, I know what lies on the other side. I call it letting go of sight. Read Big Water. See more about the Great Lakes.
Not This PigIf there is an emerging genetic underclass, I could run for class president or class clown. Read more in Not This Pig (2003).
Media in Transition @ MiT
Disabled Americans today have to negotiate for the kinds of accommodations made for FDR, and the caveat “reasonable accommodation” is built into the law. President Franklin Roosevelt did not have to negotiate. He could summon vast resources of the federal government – money as well as brains – to accomplish the work of disability. And it was accomplished with such thoroughness and efficiency that its scale could be called the Accessibility-Industrial Complex had it been directed toward public accommodations and not solely the needs of a single man. Read FDR and the Hidden Work of Disability [MiT8 2013]
Shepard Fairey claimed that his posterization of a copyrighted AP news photo of Barack Obama was a transformative work protected by the fair use doctrine. In other words, it was a shape-shifter. I claim fair use, too, when I reproduce and transform copyrighted works into media formats that are accessible to me as a blind reader. Read Shape-Shifters in the Fair Use Lab [MiT6 2009]
The social engineers who created a system for licensing beggars in New York never imagined that a blind woman had culture or could make culture. She herself may not have imagined it, either. In the moment when Paul Strand photographed her surreptitiously on the street in 1916, he could not have expected that one day blind photographers would reverse the camera’s gaze. Read Curiosity & The Blind Photographer. [MiT5 2007]
Tag Archives: Paris
Ms. M is touring Versailles today with her daughter. Here’s a soundtrack for her.I think of this composition by Marin Marais [1656-1728] whenever the Sun King comes to mind, though perhaps it is more suitable for walking about in our Ve neighborhood near the Pantheon and Rue Mouffetard, since it is dedicated to Sainte Geneviève du Mont-de-Paris. I believe it also was used in the soundtrack for the 1991 Canadian film Black Robe. This performance is by Jordi Savall. Continue reading
Shape-Shifting From Graphic Novel to Film: “Quai d’Orsay” > “Weapons of Mass Diplomacy” > “The French Minister”
Weapons of Mass Diplomacy (graphic novel) | The French Minister (movie trailer)
All the talk about slow food and slow blogging reminds me of this story from the Left Bank. I published it first in September 2007, near the beginning of this blog. It remains one of the most satisfying pieces of new writing that I’ve done here. I was sad the day it dropped off the bottom of the home page, which held 20 posts then. Maybe no one would ever find or read the story again. So I re-posted it that Thanksgiving, and now I claim it as a family tradition. On this day meant to give thanks it gives me pleasure to read and publish it again to affirm how I am blessed that Ms. Modigliani is my first reader.
Lee Miller’s lips fly over a forest in Man Ray’s “Observatory Time – The Lovers,” an oil painting from 1934. The surrealist art of Lee Miller and Man Ray are presented together for the first time in a museum show, Man Ray/Lee Miller, Partners in Surrealism. Anthony Penrose, Miller’s son, and curator Phillip Prodger discuss the artists on NPR.