About the Flaneur
![Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons]](http://blindflaneur.com/wp-content/uploads/2009/02/gustave_caillebotte_paris_street_rainy_day_1877_wiki.jpg "gustave_caillebotte_paris_street_rainy_day")
I walk through my blindness the way I wander down streets in Paris: unfettered and alive, alert to the raw material of the senses. I am a flaneur. Come along with me. Just don’t try to take my arm, unless I ask. What’s a flaneur? Read the first post, Return of the Flaneur to Galerie Vivienne. After that, try Foot Rage and the Blind Flaneur. Then stay tuned.Kiki: Man Ray’s Dada Muse
The legendary Kiki of Montparnasse posed for Man Ray’s Le violin de Ingres (1924). See more from Imaging Paris.Lee Miller: Surrealist Muse
Lee Miller traced a meteoric trajectory from flapper fashionista to surrealist muse. She played the Statue in Jean Cocteau's first movie. Picasso painted her portrait. She apprenticed with Man Ray and later became a noted war photographer for British Vogue. Read more.Miss Tic: Paris Street Art
Poet and street artist Miss Tic isn't exactly a kid in a hoodie with a can of spray paint. Maybe she can still run like hell when the police show up, but can she sprint in high heels? Well-known in international avant-garde circles, her work is exhibited now at the Venice Biennale as well as the alleys of Paris. Read more. See Ethics of Love for a video montage of Miss Tic's provacative poetry. More Paris Street Art.
The Lake and the River
![Fog at Isle Royale [Source: wildmengoneborneo.com]](http://blindflaneur.com/wp-content/uploads/2008/04/isle_royale_fog.jpg "Fog at Isle Royale [Source: wildmengoneborneo.com]")
I’ve canoed on Lake Superior for almost as many years as I’ve been losing eyesight. I return year after year like a migrating loon to learn the other side of a slow, uncertain process that we could call “going blind.” After 35 years with the lake as my teacher, I know what lies on the other side. I call it letting go of sight. Read Big Water. See more about the Great Lakes.
What is a village? A small place, yes, as wide as the world, layered with histories and stories, where you can walk wherever you want to go. My vision of that place is Yellow Springs 2.0.
Not This Pig
If there is an emerging genetic underclass, I could run for class president or class clown. Read more in Not This Pig (2003).Re-Imagining Accessibility
![Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg "shepard_fairey_hope_2008")
Re-imagining accessibility through the transformations of culture -- particularly the transformative promise of accessible technology for people with disabilities -- is the work of the Fair Use Lab. What does Shepard Fairey’s Hope poster have to do with accessibility? Read more: Shape-Shifters in the Fair Use Lab [MiT6 2009]Blind Photographers
In the moment when Paul Strand photographed her surreptitiously on the street in New York, the social engineers who created a system for licensing beggars never imagined that a blind woman had culture or could make culture. She herself may not have imagined it. Paul Strand probably didn’t give her much credit for making culture, either. Read more: Curiosity & The Blind Photographer [MiT5 2007] See more on blind photographers.BottomFeeder U.S.A.
![Grant Wood. Parson Weem’s’ Fable. 1939. Amon Carter Museum, Forth Worth.. Steven Biel describes the painting: “Parson Weems, imitating Charles Willson Peale’s pose in The Artist in His Museum (1822), opens a red velvet curtain on the legendary scene: Augustine Washington, elegant in crimson coat, white ruffle, tan breeches, silver-buckled pumps, and green tricornered hat, grasps in his right hand the slim trunk of the bent cherry tree. A row of cherries dangles from the perfectly rounded treetop, mirroring the very cherry-like fringe of the Parson’s curtain. Augustine’s outstretched left palm and furrowed brow signal a serious inquiry. His son George, boyish in stature and dress—coatless, with sky-blue breeches and petite buckled pumps—is manly in his expression. In fact, his white-wigged head is that of Gilbert Stuart’s portrait and the dollar bill. He points with his right hand to the hatchet in his left. Wood chips lie in the circle of soil at the base of the tree, its lower trunk smoothly incised and poised to split off. In the background, a well-dressed slave couple harvests the fruit of a second tree.” [Alt Text Source: Common-Place/ http://www.common-place.org/vol-06/no-04/biel/ ]](http://www.bottomfeederusa.com/wp-content/uploads/2011/08/grant_wood_parson_weems_fable_200px.jpg "grant_wood_parson_weems_fable_200px")
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Tag Archives: Lee Miller
Partners in Surrealism: Lee Miller and Man Ray
Lee Miller’s lips fly over a forest in Man Ray’s “Observatory Time – The Lovers,” an oil painting from 1934. The surrealist art of Lee Miller and Man Ray are presented together for the first time in a museum show, Man Ray/Lee Miller, Partners in Surrealism. Anthony Penrose, Miller’s son, and curator Phillip Prodger discuss the artists on NPR. Continue reading
Shed A Tear For The Subversion of Images… and Hackneyed Colonialism
I admit it. When I compared Man Ray’s “Emak-Bakia” to Avatar the other day, I was listening to the crasser angels of search engine optimization. You know, the ones that tell you to forget everything you ever learned about writing clever magazine headlines. Just pack every Google ad word you can into the blog title. So I threw in Avatar and nothing happened.
Was Man Ray’s “Emak-Bakia” the “Avatar” of the 1920s?
When Man Ray’s short film “Emak-Bakia” debuted in Paris in 1926, critical opinion was mixed. One angry viewer shouted that it gave him a headache and hurt his eyes, to which another retorted, “Shut up!” A brawl ensued, which spread through the audience and spilled into the street. Then the police arrived to quell the riot. Continue reading
Who Spied On Lee Miller?
Lots of people lined up to peek through the keyhole for a glimpse of Lee Miller, whose meteoric career arced from Vogue fashion model to Surrealist muse to intrepid war photographer. The voyeurs included Condé Nast, Man Ray, Jean Cocteau, … Continue reading
Lee Miller: Surrealist Solarization
Judith Thurman on Lee Miller
Tom mentioned a Lee Miller profile in this week’s New Yorker. It’s written by Judith Thurman, author of Secrets of the Flesh: A Life of Colette. The full text isn’t available yet on the New Yorker web site, but here … Continue reading
Mouffe at the Movies: The Blood of a Poet
Reel 1: Jean Cocteau. The Blood of a Poet (trailer). Lee Miller played the Statue in Jean Cocteau’s Surrealist classic, The Blood of a Poet (Le Sang d’un Poéte). It’s a trippy, enigmatic film laden with “deep” imagery. The original … Continue reading
Lee Miller: Surreal Statue
Lee Miller played the Statue in Jean Cocteau’s 1930 Surrealist film The Blood of a Poet. [Source: Senses of Cinema] Lee Miller’s first and only movie role was playing the Statue in Jean Cocteau’s 1930 film The Blood of a … Continue reading
Lee Miller: Picasso’s Liberation
War correspondent Lee Miller visited Pablo Picasso’s studio on the day Allied troops liberated Paris in August 1944. [Source: Guardian/Lee Miller Archives] See Lee Miller: Flapper Fashionista, Lee Miller: Surrealist Muse and Lee Miller: War Photographer.
