![Daniel_Defoe_by_James_Charles_Armytage Daniel Defoe in the pillory, 1862 line engraving by James Charles Armytage after Eyre Crowe. [Source: Wikipedia]](http://blindflaneur.com/wp-content/uploads/2012/01/Daniel_Defoe_by_James_Charles_Armytage.jpg)
Daniel Defoe wasn’t pilloried for writing Moll Flanders, though doubtless many thought he should have been. Humiliation in the stocks, depicted above, was Defoe’s recompense for penning a satirical religious tract in 1703. When Moll Flanders was published in 1722, Defoe’s name was discretely left off it, and 50 years would pass before the novel was attributed to him in print. There may not have been room for it on the title page, which read in full:
The Fortunes and Misfortunes of the Famous Moll Flanders, Etc. Who was born in Newgate, and during a life of continu’d Variety for Threescore Years, besides her Childhood, was Twelve Year a Whore, five times a Wife (whereof once to her own brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at last grew Rich, liv’d Honest and died a Penitent. Written from her own Memorandums
I confess, Moll has kept me up past my bedtime three nights in a row! Where’s Kim Novak when I need her? I’m reading as lively a version produced by the Library of Congress (NLS). Narrated by Barbara Caruso, that audiobook is available only to blind readers, so I can’t share it here. Nonetheless, you can listen to Moll, too, via a LibriVox audio book that is freely available in the public domain, as an MP3 download or a live stream:
To this audio player, LibriVox adds the note: “We are not able to offer a simple piece of HTML to show the playlist along with the player.” For that, see the webpage.
Daniel Defoe sources: Wikipedia | Project Gutenberg | Internet Archive | LibriVox
About the image: Daniel Defoe in the pillory, 1862 line engraving by James Charles Armytage after Eyre Crowe. [Source: Wikipedia]
![gustave_caillebotte_paris_street_rainy_day Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons]](http://blindflaneur.com/wp-content/uploads/2009/02/gustave_caillebotte_paris_street_rainy_day_1877_wiki.jpg)
The legendary Kiki of Montparnasse posed for Man Ray’s 

![Fog at Isle Royale [Source: wildmengoneborneo.com] Fog at Isle Royale [Source: wildmengoneborneo.com]](http://blindflaneur.com/wp-content/uploads/2008/04/isle_royale_fog.jpg)

If there is an emerging genetic underclass, I could run for class president or class clown. Read more in ![shepard_fairey_hope_2008 Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg)

![grant_wood_parson_weems_fable_200px Grant Wood. Parson Weem’s’ Fable. 1939. Amon Carter Museum, Forth Worth.. Steven Biel describes the painting: “Parson Weems, imitating Charles Willson Peale’s pose in The Artist in His Museum (1822), opens a red velvet curtain on the legendary scene: Augustine Washington, elegant in crimson coat, white ruffle, tan breeches, silver-buckled pumps, and green tricornered hat, grasps in his right hand the slim trunk of the bent cherry tree. A row of cherries dangles from the perfectly rounded treetop, mirroring the very cherry-like fringe of the Parson’s curtain. Augustine’s outstretched left palm and furrowed brow signal a serious inquiry. His son George, boyish in stature and dress—coatless, with sky-blue breeches and petite buckled pumps—is manly in his expression. In fact, his white-wigged head is that of Gilbert Stuart’s portrait and the dollar bill. He points with his right hand to the hatchet in his left. Wood chips lie in the circle of soil at the base of the tree, its lower trunk smoothly incised and poised to split off. In the background, a well-dressed slave couple harvests the fruit of a second tree.” [Alt Text Source: Common-Place/ http://www.common-place.org/vol-06/no-04/biel/ ]](http://www.bottomfeederusa.com/wp-content/uploads/2011/08/grant_wood_parson_weems_fable_200px.jpg)

