About the Flaneur
![Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons]](http://blindflaneur.com/wp-content/uploads/2009/02/gustave_caillebotte_paris_street_rainy_day_1877_wiki.jpg "gustave_caillebotte_paris_street_rainy_day")
I walk through my blindness the way I wander down streets in Paris: unfettered and alive, alert to the raw material of the senses. I am a flaneur. Come along with me. Just don’t try to take my arm, unless I ask. What’s a flaneur? Read the first post, Return of the Flaneur to Galerie Vivienne. After that, try Foot Rage and the Blind Flaneur. Then stay tuned.Kiki: Man Ray’s Dada Muse
The legendary Kiki of Montparnasse posed for Man Ray’s Le violin de Ingres (1924). See more from Imaging Paris.Lee Miller: Surrealist Muse
Lee Miller traced a meteoric trajectory from flapper fashionista to surrealist muse. She played the Statue in Jean Cocteau's first movie. Picasso painted her portrait. She apprenticed with Man Ray and later became a noted war photographer for British Vogue. Read more.Miss Tic: Paris Street Art
Poet and street artist Miss Tic isn't exactly a kid in a hoodie with a can of spray paint. Maybe she can still run like hell when the police show up, but can she sprint in high heels? Well-known in international avant-garde circles, her work is exhibited now at the Venice Biennale as well as the alleys of Paris. Read more. See Ethics of Love for a video montage of Miss Tic's provacative poetry. More Paris Street Art.
The Lake and the River
![Fog at Isle Royale [Source: wildmengoneborneo.com]](http://blindflaneur.com/wp-content/uploads/2008/04/isle_royale_fog.jpg "Fog at Isle Royale [Source: wildmengoneborneo.com]")
I’ve canoed on Lake Superior for almost as many years as I’ve been losing eyesight. I return year after year like a migrating loon to learn the other side of a slow, uncertain process that we could call “going blind.” After 35 years with the lake as my teacher, I know what lies on the other side. I call it letting go of sight. Read Big Water. See more about the Great Lakes.
What is a village? A small place, yes, as wide as the world, layered with histories and stories, where you can walk wherever you want to go. My vision of that place is Yellow Springs 2.0.
Not This Pig
If there is an emerging genetic underclass, I could run for class president or class clown. Read more in Not This Pig (2003).Re-Imagining Accessibility
![Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg "shepard_fairey_hope_2008")
Re-imagining accessibility through the transformations of culture -- particularly the transformative promise of accessible technology for people with disabilities -- is the work of the Fair Use Lab. What does Shepard Fairey’s Hope poster have to do with accessibility? Read more: Shape-Shifters in the Fair Use Lab [MiT6 2009]Blind Photographers
In the moment when Paul Strand photographed her surreptitiously on the street in New York, the social engineers who created a system for licensing beggars never imagined that a blind woman had culture or could make culture. She herself may not have imagined it. Paul Strand probably didn’t give her much credit for making culture, either. Read more: Curiosity & The Blind Photographer [MiT5 2007] See more on blind photographers.BottomFeeder U.S.A.
![Grant Wood. Parson Weem’s’ Fable. 1939. Amon Carter Museum, Forth Worth.. Steven Biel describes the painting: “Parson Weems, imitating Charles Willson Peale’s pose in The Artist in His Museum (1822), opens a red velvet curtain on the legendary scene: Augustine Washington, elegant in crimson coat, white ruffle, tan breeches, silver-buckled pumps, and green tricornered hat, grasps in his right hand the slim trunk of the bent cherry tree. A row of cherries dangles from the perfectly rounded treetop, mirroring the very cherry-like fringe of the Parson’s curtain. Augustine’s outstretched left palm and furrowed brow signal a serious inquiry. His son George, boyish in stature and dress—coatless, with sky-blue breeches and petite buckled pumps—is manly in his expression. In fact, his white-wigged head is that of Gilbert Stuart’s portrait and the dollar bill. He points with his right hand to the hatchet in his left. Wood chips lie in the circle of soil at the base of the tree, its lower trunk smoothly incised and poised to split off. In the background, a well-dressed slave couple harvests the fruit of a second tree.” [Alt Text Source: Common-Place/ http://www.common-place.org/vol-06/no-04/biel/ ]](http://www.bottomfeederusa.com/wp-content/uploads/2011/08/grant_wood_parson_weems_fable_200px.jpg "grant_wood_parson_weems_fable_200px")
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Tag Archives: Impressionists
Renoir’s Gift For My Mother’s Birthday
Auguste Renoir. A Girl with a Watering Can. 1876. National Gallery of Art, Washington, D.C. This was my mother’s most cherished painting at the National Gallery of Art. We viewed it together several times in my youth. When work took … Continue reading
Impression, Sunrise
Lake Ontario looked like this Monet painting yesterday morning before the fog burned off. When the atmospherics feel like this – when sky, wind, light and water match the scope of what remains of my eyesight — I could sit on the jetty for hours and never tire of looking at the lake. Continue reading
Flaneur’s Gallery: Music in the Tuileries
Édouard Manet. Music in the Tuileries. Oil on canvas, 1862. National Gallery, London [Source: Wikipedia] I believe the fashionable Flaneur in top hat at the left edge of Manet’s painting is the poet Charles Baudelaire. Continue reading
Flaneur’s Gallery: Renoir in the 20th Century
Gabrielle Renard was more than the Renoir family’s nanny. She was the painter’s model and muse late in life as he turned away from the Impressionist style he had helped to create. Renoir painted Gabrielle many times. Some of the portraits, including Gabrielle With A Rose, are gathered in Renoir in the 20th Century, now on exhibit at the Los Angles County Museum of Art. Continue reading
Bonne fête Papa: A Flaneur’s Gallery
Paul Cézanne. The Artist’s Father, Reading “L’Événement”. 1866. Oil on canvas. National Gallery of Art, Washington, D.C. When I stood before this painting last month at the NGA, it happened to be the day that would have been my father’s … Continue reading
Renoir’s Gift For My Mother’s Birthday
Auguste Renoir. A Girl with a Watering Can. 1876. National Gallery of Art, Washington, D.C. This was my mother’s most cherished painting at the National Gallery of Art. We viewed it together several times in my youth. When work took … Continue reading
Flaneur’s Gallery: Paris Street, Rainy Day
Gustave Caillebotte. Paris Street, Rainy Day (La Place de l’Europe, temps de pluie). 1877. Oil on canvas. Art Institute of Chicago. [Source: Wikimedia Commons] See the permanent page for Gustave Caillebotte: Paris Street, Rainy Day.
Flaneur’s Gallery: Place du Théâtre Français
Camille Pissarro. Place du Théâtre Français. 1868. Oil on canvas. Hermitage, St. Petersburg. [Source: Wikimedia Comons]
Flânerie & Renoir’s “Luncheon of the Boating Party”
Pierre-Auguste Renoir. Luncheon of the Boating Party. 1880–1881. Phillips Collection, Washington, D.C. [Source: Miss.Ramos.Science] In Susan Vreeland’s novel, Luncheon of the Boating Party, the character of actress Angèle Legault calls the throng of artist’s models together for their second sitting … Continue reading
