- At 60, ‘Challenges Are Opportunities’ For John Zorn : NPR 090313
At 60, New York City-based composer is wiser, sure, but no less prolific, thoughtful and antagonistic than before. His oeuvre is fantastically wide, from cutthroat jazz improvisation and pummeling noise-rock to gorgeous chamber music and, believe it or not, a genuine Christmas album. The saxophonist also runs the prolific label, which releases Zorn’s many works — including his latest album, Dreamachines — and highlights a vast swath of avant-garde and experimental music. started earlier this summer, but continue through September, with events at places ranging from the to the . He tells Fresh Air’s Terry Gross that, at his age, “there are no more doubts.”
- Interview: John Bradshaw, Author Of ‘Cat Sense’ : NPR 090513
Cats have come a long way from being animals charged with catching mice to treasured, adorable creatures that snuggle with us in our beds. But this relatively new arrangement is creating issues for cats and the people who live with them. John Bradshaw has studied the history of domesticated cats and how the relationship between people and cats has changed. He’s the author of the new book Cat Sense: How the New Feline Science Can Make You a Better Friend to Your Pet, which is a follow-up to his book Dog Sense. Bradshaw is the foundation director of the Anthrozoology Institute at the University of Bristol in England. As an anthrozoologist, he studies the interactions between people and animals. He’s also the former science chairman of the International Association of Human-Animal Interaction Organizations. He joins Fresh Air’s Terry Gross to talk about how our relationship with cats has evolved over time and how toning down cats’ hunting instincts will ensure them a future on an increasingly crowded planet.
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About the Flaneur
I walk through my blindness the way I wander down streets in Paris: unfettered and alive, alert to the raw material of the senses. I am a flaneur. Come along with me. Just don’t try to take my arm, unless I ask. What’s a flaneur? Read the first post, Return of the Flaneur to Galerie Vivienne. After that, try Foot Rage and the Blind Flaneur. Then stay tuned.
Letting Go of Sight
I’ve canoed on Lake Superior for almost as many years as I’ve been losing eyesight. I return year after year like a migrating loon to learn the other side of a slow, uncertain process that we could call “going blind.” After 35 years with the lake as my teacher, I know what lies on the other side. I call it letting go of sight. Read Big Water. See more about the Great Lakes.
Not This PigIf there is an emerging genetic underclass, I could run for class president or class clown. Read more in Not This Pig (2003).
Media in Transition @ MiT
Disabled Americans today have to negotiate for the kinds of accommodations made for FDR, and the caveat “reasonable accommodation” is built into the law. President Franklin Roosevelt did not have to negotiate. He could summon vast resources of the federal government – money as well as brains – to accomplish the work of disability. And it was accomplished with such thoroughness and efficiency that its scale could be called the Accessibility-Industrial Complex had it been directed toward public accommodations and not solely the needs of a single man. Read FDR and the Hidden Work of Disability [MiT8 2013]
Shepard Fairey claimed that his posterization of a copyrighted AP news photo of Barack Obama was a transformative work protected by the fair use doctrine. In other words, it was a shape-shifter. I claim fair use, too, when I reproduce and transform copyrighted works into media formats that are accessible to me as a blind reader. Read Shape-Shifters in the Fair Use Lab [MiT6 2009]
The social engineers who created a system for licensing beggars in New York never imagined that a blind woman had culture or could make culture. She herself may not have imagined it, either. In the moment when Paul Strand photographed her surreptitiously on the street in 1916, he could not have expected that one day blind photographers would reverse the camera’s gaze. Read Curiosity & The Blind Photographer. [MiT5 2007]